Amanda
Schneider
Philosophy
408/Gilliland
10
October 2012
Presentation on Camus
Camus was born on November 7, 1913
and died in a car crash in France on January 4, 1960. He grew up in the French colony of Algeria
with his mother. His dad died in World
War I when Camus was only one-year old (cliffnotes.com). In 1957, Camus was awarded a Nobel Prize
(Lottman 5). Many of Camus’ books are
autobiographical; two of his most famous works are The Stranger and The First
Man. In these works, Camus reflects
on human existence, anxiety, and the absurdity of life.
Part one of The
Stranger begins with Meursault’s mother’s death. The death of a parent would cause most
children to have anxiety. How one reacts
to such anxiety may determine whether he/she is authentic or inauthentic. Meursault’s views of life change throughout
the book—first he didn’t care about life or death; thus he was acting
inauthentically. Eventually, he
questioned what it meant to “exist” versus “live.” After he started questioning, he became more
aware of himself and the world. When
Meursault increased his consciousness, he became more authentic.
The awareness which Meursault developed connects to
Husserl’s consciousness and intentionality.
To simply exist, one needs minimal consciousness, but in order to live,
one needs to be aware of what he/she is doing and acknowledge why he/she is
doing it. Camus’ philosophy makes
consciousness and intentionality even more difficult for many people to attain.
Camus does not believe in an afterlife.
Since there is no afterlife, life does not have meaning because there is
nothing worth living for. For example,
someone who does believe in an afterlife thinks he/she should be a good person
while alive for the purpose of having a happy afterlife. The afterlife gives one’s life meaning. One may also live his/her life ‘“as if”’
his/her actions matter, but since he/she will eventually die and become
nothingness, his/her actions do not really
matter (cliffnotes.com). Thus, life is
ultimately nihilistic and absurd. One
may perceive life as meaningful, but since he/she will eventually die, life is
always meaningless and absurd.
A quote that depicts existentialism in Camus’ writing is,
“[A] man succeeds or fails because if his strength, or the lack of it, in
himself” (cliffnotes.com). God cannot be
used as an excuse for failure, nor does He give one’s life meaning. Those who claim God controls him/her and
his/her world are inauthentic because he/she should increase his/her
consciousness and intentionally make decisions to have control over his/her own
life. Despite all he went through,
Meursault succeeded because he found the strength in himself to succeed.
Interestingly enough, Camus died
before he finished writing The First Man,
but what he had written thus far was later published along with his notes. Obviously he did not plan on dying the day he
did in a car crash, but his dying before finishing and publishing The First Man made me question why he
bothered to write books in the first place, and how he felt when he published
and won his Nobel Prize. Did he not feel
proud and a sense of meaning when he won?
Did writing not give his life meaning?
Although he could not have known this while writing, the fact that his
writings are still read after his death would lead me to say that his life was worth living. The
First Man is about Camus’ dad, whom he barely knew (Lottman 8). Applying authenticity to Camus’ life, I would
say overcoming the anxiety of his father’s death and then learning about him
and his history makes Camus authentic.
The
Stanger and The First Man both
had elements of anxiety and authenticity in relation to human existence. According to Camus, human existence is
nihilistic and absurd because death makes life meaningless.
Works Cited
Camus,
Albert, translated by. David Hapgood, in The
First Man, (New York, NY: Alfred A.
Knopf,
Inc., 1995)
Cliffnotes,
“The Stranger,” John Wiley & Sons, Inc., 2012
Cliffnotes,
“Camus and the Absurd,” John Wiley & Sons, Inc., 2012
Lottman,
Herbert R., “The First Man,” Albert
Camus: A Biography, (New York, NU: George
Braziller,
Inc., 1980) p. 5-13.
Maquet,
Albert, Albert Camus: The Invincible
Summer, (New York, NY: Humanities Press,
1972).
Sprintzen,
David, Camus: A Critical Examination,
(Philadelphia, PA: Temple University Press,
1988).
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